Olivia Schwartz

on Jules Bastien-Lepage's Joan of Arc

THE ARTIST PROJECT

Lily Shams

on Winslow Homer and J.M.W Turner

“I like how the earth and water work together.”

ABOUT THE ARTIST

Lily Shams’ paintings capture when, where, and how the ocean and horizon meet. Her work zooms in on both the depths of the sea and the brightness of the sun.

AS SEEN IN THE EPISODE

1. Maine Coast (1896); Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine); Oil on canvas; 30 x 40 in. (76.2 x 101.6 cm); Gift of George A. Hearn, in memory of Arthur Hoppock Hearn, 1911.
2. Cannon Rock (1895); Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine); Oil on canvas; 40 x 40 in. (101.6 x 101.6 cm); Gift of George A. Hearn, 1906.
3. Moonlight, Wood Island Light (1894); Winslow Homer (American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine); Oil on canvas; 30 3/4 x 40 1/4 in. (78.1 x 102.2 cm); Gift of George A. Hearn, in memory of Arthur Hoppock Hearn, 1911.
4. Venice, from the Porch of Madonna della Salute (ca. 1835); Joseph Mallord William Turner (British, London 1775–1851 London); Oil on canvas; 36 x 48 1/8 in. (91.4 x 122.2 cm); Bequest of Cornelius Vanderbilt, 1899.

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