on Jan van Eyck's The Last Judgment
ABOUT THE ARTIST
Arielle Hadad explores the balance between chaos and order through the juxtaposition of natural and surrealistic imagery in paintings and collage.
AS SEEN IN THE EPISODE
The Crucifixion, The Last Judgment (ca. 1440–41); Jan van Eyck (Netherlandish, Maaseik ca. 1390–1441 Bruges) and Workshop Assistant; Oil on canvas, transferred from wood; Each 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm); Fletcher Fund, 1933.